Between 1969 and 1971, a young German photographer named Albert Scopin lived quietly inside one of the most charged addresses in New York. An assistant to Mikel Avedon and Bill King, he turned his camera on the hotel's daily life with as little interference as possible, catching Patti Smith and Robert Mapplethorpe early and together, Wim Wenders and Milos Forman passing through, Warhol's crowd mid-production, and residents on the roof with no particular place to be.

Published here for the first time, the images read less like documentation than a diary, intimate and unguarded in the way only accidental archives tend to be.