A focused look at John Baldessari’s final painting series—30 works that distill his lifelong fascination with the gaps between words and images. Using film stills and found photographs partially obscured by bold white-and-black brushwork, Baldessari playfully highlights and hides gestures, objects, and body parts to explore meaning, ambiguity, and perception.

Essays by Russell Ferguson, Hans Ulrich Obrist, Barbara Bloom, and David Salle, plus a portrait by Catherine Opie, round out this fitting tribute to the artist’s last major body of work.