The definitive monograph on the photographer turned filmmaker, tracing the approach to portraiture that runs through everything she's made. From her earliest photographs to Fifty Shades of Grey, Taylor-Johnson has worked the line between still and moving images, using both to make bold, psychologically rich portraits and self-portraits.

Drawn from her archives, the book moves from the acrobatic early "floating" self-portraits to the stillness of her Crying Men series, alongside intimate images made on set and behind the scenes of her films. Curated with new writing by Taylor-Johnson herself, it's published alongside a new series of self-portraits and marks her return to photography. With contributions by Lynsey Addario and Tracey Emin.